But the main melodic phrase from “I Feel Love” sounds like it’s being played on the Korg keyboard that anchors “Break My Soul,” subtly tying two eras together in a third one. The album’s final track, “Summer Renaissance,” features Beyoncé singing, “It’s so good, it’s so good, it’s so good, it’s sooooo good” over a very familiar pinballing riff - yes, the finale interpolates Donna Summer’s “I Feel Love,” the 1977 disco hit with an all-synthesizer backdrop and pulsating rhythm that anticipated the future sound of dance music. This video showcases the Ford Mustang GT’s performance by completing Chapter 4 Apex Predators speed list after fully upgraded in 1 time trial and 1 race event and 1 hot pursuit events. The track runs in part off a sample of a Kevin Aviance song subtitled “The Feeling” - one of the key recordings in a queer house sub-style known as “bitch tracks.” The 2015 Ford Mustang GT is a new and free DLC car from the recent NFS Rivals update. “Pure/Honey,” next to last, is another sub-bass monster: The first part, propelled by a nasty kick drum, is a surprising approximation of techno at its steeliest, or maybe its most “pure.” The “honey” comes at the 2:11 mark, a bulbous neo-disco groove with feathery horns that recalls early Sylvester. ( Sophie, the producer known for exhilarating hyperpop who died in 2021, came from this camp.) “All Up” is futurist robo-pop, with a sub-bass line that seems to be snorkeling under the speakers rather than emanating from them. Cook, the main mind behind the London label and art collective PC Music, which arrived in the mid-2010s with a sound built on stylish exaggeration: tones that weren’t just high in a machine-music way, but deliberately squeaky. The Plasticine sounds of “Thique” segue into the even more heavily synthetic “All Up in Your Mind,” co-produced by A.G. Hit-Boy, who produced a dubstep-inflected hit on Jay-Z and Kanye West’s “Watch the Throne” (2011). Sure enough, the song’s writing and production credits include an artist influenced by those musicians: Chauncey Hollis Jr., a.k.a. “Thique” sounds like something that would have been all over dubstep dance floors in the days before Skrillex, when the subgenre’s distended bass and variable tempos were primarily the province of British producers.
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